QURBAN Mandala, Fig. 19, p. 192, Drower, Wine and Bread. (The inscription is omitted.)
THE DEFINITION OF TANTRA
Guenther, Buddhist Philosophy.
A CLUE - CONTINUITY.
"`Tantra' is continuity, and this is threefold:
Ground, Actuality, and Inalienableness."
Ghuyasamaja.
"...the language of these documents is highly figurative,..."
"...the metaphorical character of the language..."
prabandha - `continuity' and `integration'...
YANTRA
YANTRA SUBJECTS:
ORIENTATION
OPACITY AND TRANSPARENCY
NOTES ON YANTRA
YANTRA - TRIANGLE = Plutarch,
Bayley, Harold, The Lost Language of Symbolism, Bracken Books, London,
Of crucial importance in this entire Transmission, is the power of visual coding, processes which were highly evolved in Tibet in the technique of Visualisation. These sacred metaphysics have always operated beyond the male-female duality.
Dr John Lilly [Lilly, John, The Human Biocomputer.] uses the term "projection-display technique" in association with "re-plays of memory storage experiences." We thus see that instead of being Christian, the Rosicrucian Transmission was a projection of deep and ancient Storage Systems of Wisdom.
The ‘reformation’ is more correctly a ‘thought reformation’! The old habitual thought forms had to be dismantled, and the energy released in this process of de-structuring, liberated for fresh creative evolutionary possibilities.
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...we can see the use of such concepts as a fixed reality fact in the Sacred metaphysics of Tibet.
Lilly uses the terms, projection-display techniques, as in the re-plays of memory storage experiences. These habitual thought forms are invoked for various emotional and psychological reasons.
In the system of visualisation, a new programme is instated and the visual projection display technique is carefully documented in terms of form, colour and texture.
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See YANTRA, Madhu Khanna, p. 124. Why?
The Mandala of Ymir's Skull.
See:
Dwarf.doc in KABIR.2